The proposal responds to Carlo Ratti’s invitation to explore the term intelligens through the concept of “root,” understood as both origin and connection to a collective imaginary, beyond the limits of AI. It raises questions about reclaiming forgotten values, reviving traditional crafts, and reducing waste.
Romania’s presence at the Venice Biennale is thus envisioned around the relocation and restoration of the wooden church of Sâmbotin (Gorj), dated 1794, a listed monument also included in the program of the 'Biserici Înlemnite' Association. Abandoned and decayed, the church becomes the core of a living exhibition, where visitors become part of the restoration process.
The Romanian Pavilion is imagined as a dynamic space: in the first months the church structure would be reassembled, while adjacent areas would host workshops and talks. The IRCCU Gallery would serve as a laboratory for the restoration of artistic components, evoking a contemporary ecclesiastical space.
In parallel, the foundation in Sâmbotin would be rebuilt, so that at the end of the Biennale the restored church could be returned to its community. The entire initiative carries the value of a manifesto: a return to origins and a reflection on heritage, shaped by a minimal carbon footprint.
Design Team: arh. Paul Mihai Moldovan, arh. Anamaria Moldovan, arh. Oana-Cezara Brescanu, arh. Indrei Marius
Collaborator[s]: Florin Magda, Laurian Ghinitoiu, Daescu Bortun Olteanu, Asociatia Monumentum, Asociatia INIMA OLTENIEI, Facultatea de Arhitectura si Urbanism din Cluj-Napoca
Design Year: 2024-2025
Status: -
Execution | Completion year: -
Location: Venice, Italy
Gross area: ca. 257 sqm
General Contractor: ateliercetrei
Text: ateliercetrei
Photographer[s]: -
